88 Music Blog

Three words: Creativity, Innovation, Exploration

If Burning Man doesn’t inspire you, you are either dead or completely disconnected from your mind, body and soul. There’s simply too much eye-candy and stimulation not to be oohed and ahhed at least 50 times a day. My neck hurt from all the head turning action, be it technological savvy

dusty beauty

blarphy beats or the shear grandness of the environment.

A big shout out goes to my pseudo-brother Dan for hooking our trip up. Dan’s my oldest, fondest, going baldest (Sorry bro) creative collaborator. He picked me up at the Reno airport, armed with a smile, tons of gear and a 1984 Westie named Ft. Green. Another big shout out goes to our camp mates at Omosubi Engine.

This collection of predominantly Japanese lads and ladies proved to be a hard-working, extremely kind and fun group to be with. Camping with them was for the most part an ease and joy. Food and drink was constantly shared, everyone pitched in to build and add to our camp. Entry into this world wouldn’t have been possible had it not been for my dear friends from Sapporo and now LA Trast and Keiko.

Seeing that this is 88′s music blog, I’m going to focus the next couple pages on what I heard, felt and sonically experienced on the Playa.
Electro, Dub Step, Rock Step

Rest assured, Jamaican Sound System culture is alive and well at Burning Man. 100s, if not over a 1000 sound systems pulsed through the air at Black Rock City. Any sound system head would’ve had a huge smile on their face watching the tripped out rides face off positioning to see which sound system could coral the masses around their beats. I swear it was the 21st century version of the 60′s beach battles on the island.

As a gnarly beat obsessed audiophile I felt blessed and giddy to be in such an environment. There were a lot of hand built systems represented at various camps and on the art cars, while the most prevalent manufactured stacks were powered by Mackie’s. One of the best systems goes to our East Coast Brethren the Philadelphia Experiment for bringing in a massive Mackie surround sound system layered with 1323′s and a rack of subs.

It was good to see DC represented through some speaker stacks. The Fort Knox Five guys seemed to be all over the place and got a good shout-out as an ‘act to catch’ on a massively distributed Burning Man music write up.

Overall, the most prevalent sound on the Playa were electro-breaks. I’m a fan and had a blast hearing dirty electro lines emanating from various camps and tents. If you’re a fan of dance floor music, Black Rock City is the place to be. You can get a piece of any sound there, be it Live Band’s or the latest in glitch. Sure, Paul Oakenfold played and there was a lot of shite, but there are so many options and systems that if you couldn’t find something you liked you simply weren’t moving enough. Not finding good tunes would be on you, not the City.

Burning Man is a west coast creation, so I was eager to get a taste of some of the freshest in west coast sounds in particular, dirty, organic breaks. I was hence inclined to check out a particular night at Opulent Temple featuring Adam Ohana, event thrower extraordinaire in SF; shortly followed by Lorin, perhaps one of the biggest Djs to come out of the Burning Man movement; and Lee Combs of Finger Lickin’ fame out of the UK. Adam came in and played a pretty nice breaks set. It was early on in the night, 10pm start, so nothing too heavy or too dirty. Lorin followed a couple hours later to an overwhelming crowd. I enjoyed his set the next night at Roots Radics better, as he played a bunch of funky DnB and threw down one of my favorite tracks, Smith and Mighty’s B-line Fi Blow. Regardless, Opulent Temple was packed and people were digging it, but I thought his style lacked any kind of groove and was a bit all over the place as he dropped Rock classics by Jefferson Airplane, The Beatles and yes that’s right Rage. Lorin wasn’t the only one, Adam dropped a Rage track in his set as well. It seems that these two San Fran DJs are purveyors of a new sound I saw listed a couple times as ‘Rock Step’. I’m not exactly sure how to define it, but mixing rock-and-roll tracks mashed in between breaks tracks seems to be a crucial element. A lot of people really dug the Rage anthems and a mosh-pit was quickly created. If I wanted to get into a mosh-pit, I’d have gone to Lolapalooza. Not my thing. Nor was it apparently Lee Coombs who immediately followed Lorin and stuck to the goods. Proper.

I’m not going to comment too much on the whole Rock Step thing. Too each his own and I certainly respect those that are on a path of exploration. Perhaps it’s an attempt by American Djs to reach beyond the underground and appeal to the masses. Perhaps it’s a way to unite folks through a sense of nostalgia, akin to the dozens of clubs that play 80s music. Or, perhaps they’re not overanalyzing things like I tend to do and are ‘just having fun and being goofy’. That’s cool. Go for it! But, if Djs pushing this sound claim to be on some futuristic front, claiming it to be the next ‘wave’ of EDM (which I’ve heard they are doing) folks need to read up on their history – back in the days of David Mancuso (www.theloftnyc.com) and Frankie Knuckles’s loft parties, playing multi-genre sets and twisting things up was the norm.

Enough with that rant. A really pleasant surprise was how well DubStep was represented throughout the desert. A lot of the breaks Djs (including Freq Nasty and Lorin) incorporated DS into their sets, giving relief to the dancing masses (it’s tough to wiggle hard 7 nights in a row). While big tunes were dropped all week long, my DS highlight came in the shape of a gangly, young kid named Zapper out of the Bay area. This guy was throwing down a completely analog DubStep set at the Dust Fish camp. He rocked the sub-low, threw his body into it and laid it out for us. Big ups for the DS Live PA set. This guy’s going places! My only critique about the amount of DubStep, was the lack of subs on some of the sound systems. If wan is gwanna push da sound, bring da proppa low-end business.

Many folks know me as someone who has grown farther and farther away from hip-hop as the years have passed by, but I was pleasantly surprised to catch some really good beats out on the playa A fun act to keep ones eyes out for is the Goddess Alchemy Project out of LA. While I only caught the last couple tracks they played on an art car, they’re hot and have great energy. They were bouncing around so much they kept causing the record to skip and had to down shift into 3rd so the track could play. I also ended up spending a good chunk of a night chilling with the renegade sound system and bounce reflex beats at the pirate art-car, outside El Circo Saturday night. The system and ride was organized and captained by Geno Cochino. I think one of the speakers had blown come the wee hours of the morning that night, but overall this ride was putting out killer beats, laced with DubStep’s influence. Having said that, the MCing was pretty weak. While the lyrics were somewhat conscientious, and there were definitely good moments, the Mic Controllers got stuck on the “I’m the true underground” bent and spent a lot of time rhyming the same words which is never a good sign. I’m all for spontaneous rhyming flow, and experimentation but my advice to all MCs is to let go of the ego, let your thick beats breath and gap shoot here and there.

Along the hip-hop tip, I also finally got to catch a Glitch Mob set, something I’d been looking forward to for quite some time. And well – they killed it, and killed me. My body was poppin, lockin, twichin and swingin’, shuffling and stompin’. I couldn’t dance for two days as a result of their madness. All of the members were present (Ooah, edIT, Boreta, Kraddy, Kitty D) and they brought great energy. Good times lads! Also big props to Anasia, the mob bostress, who played a great opening set, utilizing Ableton and thrashing up a Shen track.

Two other things surprised me regarding my musical experience at Burning Man. 1.) I was surprised with the lack of proper morning music. Any festival veteran knows that this is a wonderful opportunity for Djs to dig deep into their collections and play lovely chilled out beats and grooves, complete with harmonies, vocals and warm bass. It’s a slow, intimate time to wake up and reconnect with your surroundings and the new day. Unfortunately though, for the most part, lovely morning music didn’t present itself except of course at our camp

2.) Perhaps I spent too much time cavorting around the esplanade where the vibe is all about the party – regardless, I really didn’t find too many Djs or acts pushing the sonic envelope and taking themselves out of their comfort zone. If Burning Man isn’t about pushing one’s boundaries, trying new things and being able to get away with fucking up – then where is?

I also wonder if any Djs, acts are getting paid. Is Paul Oakenfold really coming out to rock the Playa for free? I don’t have anything against getting paid per se, but feel that it does go somewhat against the Burning Man grain if folks are. Regardless, as I said in the beginning, if you’re into dance music and letting loose with a bunch of freaky, fun and scantily clad folks then Burning Man will be your cup of tea. Get on board, just don’t forget to bring it – add to – and participate.

Links:
Anasia, Glitch Mob set:
http://download.yousendit.com/E02AC1C032DCEC0D

Zapper Set:
http://www.atomikdog.com/MP3/zapper_brksFM_R-M.mp3

An-ten-nae, latest Acid-Crunk mix:
http://www.an-ten-nae.net/an-ten-nae_Acid_Crunk.mp3

 

 Zapper Set: Play Now | Play in Popup | Download

 

 An-ten-nae Acid Crunk mix: Play Now | Play in Popup | Download

Photo Credts:
Mo – www.morishuz.com
Kevin and Ruthanne – http://shadowvex.com/
www.boingboing.com

Burning Man Related Links:
About David Best and the temple – http://laughingsquid.com/temple-of-forgiveness-by-david-best-tim-dawson/

Big Rig Jig:
http://www.current.tv/pods/tvfreeburningman/PD07070

DMV:

http://www.current.tv/pods/tvfreeburningman/PD07055

Andrea – www.kucoondesigns.com

PMX Underground Knowledge
Jungle Jungle 2007
Week 3

Part 1
1. Q Project – Champion Sound (Doc Scott Remix) (7:58)
2. Deep Blue – The Helicopter Tune (4:59)
3. Studio Pressure – Presha lll (6:13)
4. Matt – Phat & Phuturistic (5:51)
5. Dub Technicians – Mindscape (7:21)
6. Omni Trio – Renegade Snares (4:06)
7. Higher Sense – Listen Up (5:34)
8. Dextrous – Nice ‘N’ Slow (5:15)
9. 4 Horsemen Of The Apocalypse – Drowning In Her (Phantasy & Aphrodite Remix) (6:18)
10. Aladdin – We Enter (Heavenly Remix) (6:28)

Download Part 1

Part 2
11. Marvellous Cain – Hit Man (Ascend & Dead Dred Remix) (5:30)
12. Noise Factory – I Bring You The Future (DJ A-Sides Remix) (5:38)
13. Sonz Of A Loop Da Loop Era – What The… (Remix) (7:36)
14. A-Zone – Calling All The People (Remix) (5:54)
15. Area 39 – Attidude (6:06)
16. Marvellous Cain – Hit Man (5:37)
17. DJ SS – Rollidge (6:47)
18. J & J – 100 Tons Of Bass (6:06)
19. Bizzy B & Pugwash – Just A Little Crew (5:03)
20. Krome & Time – Original Juggling (4:00)
21. Devious D – Number One Sound (4:23)
Download Part 2

 

 Jungle Jungle - Week 3a: Play Now | Play in Popup | Download

 

 Jungle Jungle - Week 3b: Play Now | Play in Popup | Download

88 PMX Underground Knowledge
Jungle Jungle 2007
Week 2

Part 1
1. Roni Size – Kiss A (5:31)
2. Roni Size – Kiss B (5:51)
3. Full Cycle – Daylight A (7:41)
4. Full Cycle – Daylight B (6:03)
5. Atomic Dog – Break It Down (6:25)
6. Atomic Dog – Step Into Light (7:32)
7. DOPE – B (5:02)
8. Bomb Squad – Balance (6:06)
9. Merlin – Encounters B (5:37)

download 2a

Part 2
10. Merlin – Return of the Funk A (5:21)
11. Bomb Squad – Ghetto Love B (5:02)
12. Da Intalex – Watcha Gonna Do [B] (5:44)
13. Express 95 A (4:24)
14. Express 95 C (6:26)
15. Ill Figure – Jam Hot [B] (6:50)
16. Asend – Take Your Soul A (6:06)
17. Rugged Vinyl – Missing rmx A (5:39)
18. Orca – Intalect rmx (6:44)
19. Orca – Sample & Hold (6:23)
20. M-Beat General Levy – Incredible 1A (4:16)
21. Leviticus – Burial A2 (6:26)

download 2b

 

 Jungle Jungle - Week 2a: Play Now | Play in Popup | Download

 

 Jungle Jungle - Week 2b: Play Now | Play in Popup | Download

Jello!
I’m back after a little creative recharge and ready to get it on with y’all, so let’s plan on having some fun Saturday for what will be one of the best nights of musical, arty goodness DC’s seen in a looooong time. Seriously, if you miss out on Saturday…consider yourself a.) severly misfortunate and b.) a moron. I’m going to change things up a bit here and strictly focus on this weeks activities as opposed to a recap of the entire 88 universe. That will drop next week. Without further ado:

Sat. September 15th – X : 6-10pm : A 21st Century Live-Art Happening : $5
Live(Electronica + Projections + Fashion + Art + Performance) + YOU = X
At BeBar: 1318 9th St, NW 6-10p

[Left] is last month’s winning design by Jessica Phillips, inspired by the 3 words selected by curator Lauren Gentile: Steely, Zygote and Commit. For her skills, Jessica won an HP Printer! Congrats and thanks HP!

This month’s X will feature:
Live PA performances from: David Last (Brooklyn) www.davidlast.net ; Vano (New Jersey) www.myspace.com/vanomusic ; Yoko K (DC) www.myspace.com/aphrodizia and Aligning Minds (Baltimore) www.aligning-minds.com
Graphic artists: Dr. Gonzo, Joseph Nicolia, Marina Starkova (www.lvg311.aisites.com, www.variate.net, www.dotsandpixels.net)
Performance: Miss Joule: www.missjoule.com
Projections/Interactive Media: Peter Corbett: www.advercation.com
Fashion/Art: Flux Rad: www.myspace.com/fluxradt
Live Painting: Phantom: http://www.myspace.com/nftp
Curator: Henrik Sundqvist: www.henriksundqvist.com

‘X’ is pushing the limits farther this week, asking the musicians to push their creative boundaries and explore new territory. This is a hall mark of American music, whether it was riffing on a blues line – soloing during a Jazz standard or rhyming over beats. We’re excited to implement this tradition of innovation in the realm of Live electronic music.

Got a digital camera? Bring it! 3 HP printers will be on hand for you to instantaneously print your pictures on site for free.

This month, we are also excited to be bringing back Exquisite Corpse. This game, played and created by the surrealists in the mid to late 1920s, asks participants to draw a head, torso or bottom half of a body. Come ready to play Saturday

We’ll also have CDs for sale ($X) featuring: Aligning Minds (www.aligning-minds.com) live set from the first X event and original art work by Mal Jones (www.maljones.com)

Seriously folks, if for some odd reason you (ONE of THE best people in the DC area) managed to get on our mailing list and have some how not been to an X event yet, you’re truly missing out on the most creative, inspiring monthly within a 100 mile radius.

For more information regarding X and the artists, visit: www.xindc.tv and join our network on www.myspace.com/xindc

Sat. Sept. 15th – PULSE : 10 – 3am : Featuring cutting edge music and visuals : $5 or free by e-mailing info@eightyeightdc.com by 10pm Friday, 9.14.
Where — BeBar: 1318 9th St., NW


This month’s PULSE will feature Jackson Black (Tropik, Flumo: DC) ; David Last (Goosehound, Wolf + Lamb, (un)foundsound: Brooklyn) and Jimmy Edgar (Warp, www.jimmyedgar.com, Detroit/NYC). Jackson is the DC area’s latest minimal producing transplant, having recently arrived from Shanghai. This will be his first DJ performance in the DC Met. Following Jackson will be David Last (www.davidlast.net), Brooklyn resident and inventive dance floor producing maven. If you’re into bass heavy riddims with a touch of dancehall and techno you will not want to miss David’s set. His style is truly unique and cutting edge. Rounding out the night will be Jimmy Edgar, another incredibly talented music producer and overall artist. Jimmy’s videos and music have been turning heads for years. For those that like their beats eclectic, dirty and body rockin…Sat. Night is for you! www.myspace.com/88pulse

PULSE is brought to you in part by Peroni and Silk Vodka. At PULSE patrons will be treated to free Peroni and $3 beers and vodka specials…all…night…long.

Really hope to reconnect with many of you Saturday night…it’s been too long!

Let’s get together to say good-bye to Summer and welcome Fall through creative expression and interaction. Please forward this onto folks that would be interested in joining us.

Cheers,
David and Albert

88 — Founders
www.eightyeightdc.com
www.myspace.com/eightyeightdc

Review by Measax

You maybe one of those who doesn’t follow the net label or ‘Creative Commons’ movement very close, but just because music is offered for free doesn’t mean the label or producer isn’t quality. One listen to an Unfoundsound release could surely change your perspective and Unfound 021 is no exception. Besides producing amazing downbeat grooves on Agriculture (Push Pull), David Last is also well know in the electronic community for his unforgettable style of techno and house that has landed him work on labels such as Goosehound (NY), Geometric Deck (Osaka), and of course Unfoundsoundrecords.com (Philly). Unfound 021 titled ‘whatwhat” consists of 6 tracks, 3 David Last originals and 3 remixes. For the purpose of this review we’ll focus our attention on Last’s original material named ‘animal hybrids,’ ‘where it falls,’ and ‘sporty ankles.”Animal Hybrids’ isn’t much more than a loopy minimal-techno interpretation of two mammalian predators fighting over a wounded dance floor. Who will win – the one with the funkiest growl’ The hummy bass line lures in the young, but nothing screams ‘RUN’ louder than a four to the floor kick. But it’s too late because a noisy snare drum stuns many leaving them to shuffle about. Eventually the arrangement tears in as sheepish moans stretch across the frequency range as the drum set gets spattered. Play this track at any time to corner your dances and hope they can survive the full 8 minutes.

‘Where It Falls’ takes us on a dubby psychedelic tour with ultra syncopated kick grooves alongside drums as distant as they are disconnected. The skeleton of the piece is a hypnotic low bass line, quasi placed beeps and abstract percussion, while the substance is fleshed out with long tailed verb and squiggly microphone edits accented by shorter resonating reverb settings. A track like this could easily be heard in a set by any dub techno selector such as Dead Beat or Fenin and except to hear it late (or early) depending on your time zone.

One must have athletic legs to avoid breaking bones while dancing to a subterranean broken beat that layers grove after grove over a moist and repetitive vocal edit, i.e., ‘Sporty Ankles.’ It has an almost hip-hop influenced beat, but the groove of the track travels deeper than any emcee would care to take his or her flow. So, instead of a rapper, Last has substituted what sounds like a micro edit from an obscure French porn. The girlish voice plays alongside distant bell tones and synthetic leads and with the addition of a good clap it ultimately becomes something too sexy for a well lit room. Rhythmic muscular contractions of the reverb unit take over equaling sonic orgasm. Play this one for the ladies and wear a big smile. – measax

******************

Review from Bleepwatch:

“Unfoundsound presents a six-track masterpiece courtesy of brooklyn’s david last — featuring three original numbers, plus three remixes by so inagawa (of the suffragettes), ditch and suz. On the whatwhat? ep, david last demonstrates his diverse music-making dexterity and crystal-clean production skills. The ep commences with ‘animal hybrids’ — a quirky, snippy dancefloor killer fueled by snarling found sounds and snappy percussion that all minimal techno djs can appreciate. Then on ‘where it falls’, david last slows the bpm down to a chugging crawl — yielding a groovy, slow-paced dub tune meticulously doused with blips, bleeps and heady reverbs (somewhat reminiscent of monolake). This is followed by ’sporty ankles’ — a minimal masterwork that moves gently with broken beats, pretty vocal stabs, snippy percussion, drenching reverbs and a dubby undertone. Then so inagawa reworks ‘where it falls’ into a deep, sample-heavy minimal ass-shaker soaked with goofy found sounds and reverb-drenched timbres. Then ditch offers an upbeat remix of ’sporty ankles’ — a driving crowd-pleaser with a hard-hitting beat, gritty melodies and funny sound-sculpting. and last but not least, suz offers another version of ‘where it falls’ — a sexy and heady minimal house ditty doused with chopped up vocal snippets, a rumbling bassline, grainy textures and shuffly percussion. Oh yeah! Another whoppin’ ep!”

Audio Clips:

animal hybrids

where it falls

sporty ankles

where it falls (so inagawa remix)

sporty ankles (ditch remix)

where it falls (suz’s rip up the rug remix)

This month’s installment of the Underground Knowledge series will be focused on the early years of UK Jungle/Drum’n'Bass. Primarily, the stuff that was being released between 1992 and 1996 – just prior to the Techstep era. UK Hardcore, Jungle and the earlier Drum’n'Bass was built on a Breakbeat foundation; Hardcore becoming known for it’s use of sped-up and chopped-up breaks + chipmunk vocals, then Jungle and Drum’n'Bass following suit with a more refined production quality and the introduction of the timestretch sample function. After Techstep moved through the scene like a virus, more and more producers jumped on the bandwagon and took nearly all the funk and breakbeat elements out of their tunes. They wanted a cold, futuristic and dark sound… the darker the better. Dom & Roland eventually began putting out records that sounded almost Industrial; mechanical percussion and sparse atmospherics. Before all that, it was all about the breaks….

***

Some background, from the History of Drum’n'Bass:

Breakbeat was an underground music which had originally come in from the USA in the late 1970s. Frankie Bones, at his early DJ-ing stage had created breakbeat irregular music, whereby he had overlapped two same records on turn-table decks at slightly different speeds and slightly delayed. This would create asynchronous beat, which would drive the crowd crazy. His track named “Bones Breaks” was a pioneer if not discovererof breakbeat which has remained strictly underground since. In the late 80s, house scene erupted in UK, especially in London. As house scene had progressed, the ecstasy rave culture had emerged from the youth, suppressing the football hooliganism. House from one side and breakbeat from the other side had created a combination, which later led to production of what was called jungle and what is now called drum & bass.

It was around 1990 , when jungle started emerging from the general dance scene. Kickin’ and Shut Up & Dance record labels started fusing breakbeat, house, hip-hop, reggae, techno and most importantly dub to produce what they called Jungle. In fact the name originates from one of the experimental clubs in London, called “Jungle” where the first fusion experiments were played. The term “jungle”, though, had remained in the underground until 1993.

Jungle was often confused with hardcore, which was quite similar at the time, but was directed more towards 4/4 base beat, rather than looped asynchronous rhythm. Jungle had just made its way to a larger audience, while hardcore was a total novice to the dance scene. Both jungle and hardcore were played at the same raves and sometimes the artists didn’t even know whether the track they made was jungle or hardcore. Both of the styles were co-existing under one roof and so there was no separate jungle scene.

1993 was the end of confusion. Hardcore and the twin brother happy hardcore moved towards a more progressive rhythm, while Jungle remained on the breakbeat side. Though still reminiscent of 1992, artists such as Wax Doctor, headed the darker bassline sounds. At that point, jungle had finally gained its own identity – dedicated club venues such as Roast, Roller Express, Telepathy and Desire start operating on a weekly basis. Andy C comes up with the “Valley Of The Shadows” – the timeless jungle hit. Ed Rush throws the darkcore “Bloodclot Attack” while LTJ Bukem rolls out the ambient “Music”.

Among the music creators, strongly stood the DJs such as LTJ Bukem, Fabio, Doc Scott, Grooverider, Photek and Dillinja, who had changed their direction towards a fresher sound and greater acoustic effects. At first, though, Drum & Bass remained along the same strands as jungle, which still makes people confused to this day. It is easier to look as one being the continuation of the other, rather than worry which is which. As Drum & Bass slowly but steadily was heading its slightly different way, jungle kept rinsing out the underground culture.

————————————————-

88/PMX = Underground Knowledge
Jungle Jungle | September 2007
Week 1

Part 1
1. Badman – War in ’94 (V.I.P. Mix) (4:48)
2. DJ Ron – Cannan Land (4:55)
3. Krome and Time – Studio 1 LIK (5:06)
4. L Double – Da Base Too Dark (4:46)
5. LTJ Bukem – Horizons (5:00)
6. More Rockers – You’re Gonna (Make Me) (Smith & Mighty Mellow Mix) (4:46)
7. Remarc – R.I.P. (4:38)
8. Shy FX – Simple Things (3:46)
9. Sound Of The Future – The Lighter (5:04)
10. T. Power – Chasin’ A Dream (4:34)
11. Trinity – Gangsta (O J Mix) (4:52)
12. Undercover Agent – Oh Gosh! (4:47)

Download: http://www.eightyeightdc.com/download/JungleWeek1a_Sept2007.mp3

Part 2
13. Alex Reece – Basic Principles (5:07)
14. Borderline – Screwface (5:07)
15. Codename John – Kindred (4:27)
16. Dillinja – Deadly Deep Subs (5:02)
17. DJ SS – United (5:00)
18. Jo – R-Type (4:25)
19. L Double – Retreat (5:22)
20. LTJ Bukem – Music (4:55)
21. Noodles & Wonder – Magic (Dubplate) (3:49)
22. System X – Feel Me (5:03)
23. Tom And Jerry – Dancer (5:05)
24. Tom And Jerry – Maximum Style (Remix) (4:04)
25. Formula 7 & Ruffcut – Eternity (5:12)

Download: http://www.eightyeightdc.com/download/JungleWeek1b_Sept2007.mp3

 

 Jungle Jungle - Week 1/Part 1: Play Now | Play in Popup | Download

 

 Jungle Jungle - Week 1/Part 2: Play Now | Play in Popup | Download

You can check out our Underground Knowledge series live each week; Wednesdays 8-10pm EST on PMX Radio [http://pmx.jble.com/]. Each month we choose a new musical path to explore. Please feel free to leave a comment if there are any Electronic genres of music you’d like to suggest we explore for future Underground Knowledge specials.

** SURPRISE! For our friends visiting from itscomingoutofyourspeaker blog, here is your special Dub surprise Thanks!